But in doing so, it has to upscale, meaning that a 1080p video signal degrades slightly when the effect is applied, prompting Premiere to upscale it back. Warp Stabilizer apply some “anti movement” to the video image, moving the video file the opposite direction of the image’s camera shake. – DSLR FilmNoobĭJ says that the affect of mimicking the smoothness of an expensive Steadicam rig can be achieved thanks to that 2.7K resolution setting, which gives Premiere’s Warp Stabilizer plugin a little “wiggle room” when applying the stabilization algorithm without having to upscale the video to compensate. Add to that the new cinema camera settings and you have the perfect image stabilization device that can easily be inter-cut with DSLR footage. The Gopro Hero 3 black edition has the option to shoot at 2.7k (2716 x 1524) which gives you a large buffer for Warp Stabilizer to operate without the need to upscale your footage. For those on a budget, this is a god send. Thanks to the high resolution of the Hero 3, which can shoot at up to 2.7k at 30fps, Adobe Premiere can employ it’s Warp Stabilizer to create the same effect as a full fledged Steadicam. Camera’s High Resolution Provides Wiggle Room for Stabilizing PluginsĭJ over at DSLR FilmNoob has come across and bonus benefit of using the GoPro Hero 3 in concert with Adobe Premiere Pro CS6.
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